{"id":2649,"date":"2018-11-26T15:45:20","date_gmt":"2018-11-26T15:45:20","guid":{"rendered":"http:\/\/tigre.uma.pt\/conselhocultura\/www\/?page_id=2649"},"modified":"2022-06-21T12:09:50","modified_gmt":"2022-06-21T11:09:50","slug":"arte-e-musica-experimental","status":"publish","type":"page","link":"https:\/\/conselhodecultura.uma.pt\/en\/arte-e-musica-experimental\/","title":{"rendered":"Experimental Intermediate Arts"},"content":{"rendered":"<h2>Experimental Intermediate Arts<\/h2>\n<p style=\"text-align: justify;\">The <strong>&#8220;Experimental Laboratory of Intermediate Art&#8221;<\/strong> arises from the need to think and design a space for experimentation and advanced study, for an awareness of contemporary artistic creation, from the binomial sound art and visual arts. This Lab had its first experience in May 2018, in the organization of the tribute to the American composer John Cage, in an innovative moment of collaboration between composers, performers, performing musicians and visual artists.<\/p>\n<p style=\"text-align: justify;\">It is intended, above all, to be a place of encounter and phenomenological sharing, between artists and academics, in the alternative offer of research and problematization put into practice on the re-leadings of the concept of total art and its activation in a common place, the Sala dos Arcos of Col\u00e9gio dos Jesu\u00edtas.<\/p>\n<p style=\"text-align: justify;\">It counts with the participation of musicians and teachers from the Conservat\u00f3rio Escola das Artes-Eng\u00ba. Luiz Peter Clode and the Degree in Visual Arts from&nbsp; Arts and Humanities of Universidade da Madeira, betting on a dynamic of re-encounter with the past, in the origins of the then Academia de M\u00fasica&nbsp; e Belas Artes&nbsp; da&nbsp; Madeira.<\/p>\n<p style=\"text-align: justify;\">&nbsp;<\/p>\n<h2>Coordenation<\/h2>\n<p>\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"768\" height=\"1024\" src=\"https:\/\/conselhodecultura.uma.pt\/wp-content\/uploads\/2018\/11\/Duarte_foto-2-768x1024.jpg\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/i0.wp.com\/conselhodecultura.uma.pt\/wp-content\/uploads\/2018\/11\/Duarte_foto-2.jpg?resize=768%2C1024&amp;ssl=1 768w, https:\/\/i0.wp.com\/conselhodecultura.uma.pt\/wp-content\/uploads\/2018\/11\/Duarte_foto-2.jpg?resize=225%2C300&amp;ssl=1 225w, https:\/\/i0.wp.com\/conselhodecultura.uma.pt\/wp-content\/uploads\/2018\/11\/Duarte_foto-2.jpg?resize=150%2C200&amp;ssl=1 150w, https:\/\/i0.wp.com\/conselhodecultura.uma.pt\/wp-content\/uploads\/2018\/11\/Duarte_foto-2.jpg?w=960&amp;ssl=1 960w\" sizes=\"(max-width: 768px) 100vw, 768px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<p style=\"text-align: center;\">Duarte Encarna\u00e7\u00e3o<\/p>\n<p>\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"768\" height=\"1024\" src=\"https:\/\/conselhodecultura.uma.pt\/wp-content\/uploads\/2018\/12\/UNADJUSTEDNONRAW_thumb_8b04-768x1024.jpg\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/i0.wp.com\/conselhodecultura.uma.pt\/wp-content\/uploads\/2018\/12\/UNADJUSTEDNONRAW_thumb_8b04.jpg?w=768&amp;ssl=1 768w, https:\/\/i0.wp.com\/conselhodecultura.uma.pt\/wp-content\/uploads\/2018\/12\/UNADJUSTEDNONRAW_thumb_8b04.jpg?resize=225%2C300&amp;ssl=1 225w, https:\/\/i0.wp.com\/conselhodecultura.uma.pt\/wp-content\/uploads\/2018\/12\/UNADJUSTEDNONRAW_thumb_8b04.jpg?resize=150%2C200&amp;ssl=1 150w\" sizes=\"(max-width: 768px) 100vw, 768px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<p style=\"text-align: center;\">Jorge Maggiore<\/p>\n<p style=\"padding-left: 30px;\"><strong>Work group:<\/strong><\/p>\n<p style=\"padding-left: 60px;\">Aniko Harangi (Pianista, Docente no CEPAM e elemento da OCM)<br \/>Ant\u00f3nio Pl\u00e1cido (Actor e Diseur)<br \/>Duarte Encarna\u00e7\u00e3o (Escultor e Docente na UMa)<br \/>G\u00e1bor Bolba (Contrabaixista da OCM)<br \/>Irene Rodrigues (Saxofonista e Docente no CEPAM)<br \/>Jos\u00e9 Manuel Barros (Clarinetista, Docente no CEPAM e elemento da OCM)<br \/>Jorge Maggiore (Compositor Baterista e Docente no CEPAM)<br \/>Jorge Luis Mendoza (Percussionista, Docente no CEPAM e elemento da OCM) <br \/>Pedro Camacho (compositor \/ DRC)<br \/>Teresa Norton (Performer)<\/p>\n<p style=\"padding-left: 30px;\">\u00a0<\/p>\n<p style=\"padding-left: 30px;\"><strong>Internal collaborating elements (Degree in Visual Arts\/ FAH):<\/strong><\/p>\n<p style=\"padding-left: 60px;\">Doutor Carlos Valente (UMa)<br \/>Doutor V\u00edtor Magalh\u00e3es (UMa)<br \/>Doutor Pau Galbis (UMa)<\/p>\n<p style=\"padding-left: 30px;\"><strong>External collaborators \/ Guests:<\/strong><\/p>\n<p style=\"padding-left: 60px;\">Doutor Ant\u00f3nio Ba\u00eda Reis | artista multidisciplinar\/investigador (Universidade do Porto)<\/p>\n<p>\u00a0<\/p>\n<p style=\"padding-left: 60px;\">Doutor Miguel Molina Alarc\u00f3n, Professor Catedr\u00e1tico (Universidad Polit\u00e9cnica de Val\u00eancia)\u00a0<\/p>\n<p style=\"padding-left: 60px;\">Doutor Paulo Esteireiro (Chefe da Divis\u00e3o de Investiga\u00e7\u00e3o e Multim\u00e9dia da Dire\u00e7\u00e3o de Servi\u00e7os de Educa\u00e7\u00e3o Art\u00edstica e Multim\u00e9dia)<br \/>Rodrigo Camacho (Compositor)<br \/>Jo\u00e3o Pedro Pupo (Compositor)<\/p>\n<p style=\"padding-left: 30px;\"><strong>Design:<\/strong> Paulo Freitas \/ Filipe Gomes<\/p>\n<p style=\"text-align: justify;\">The Rectory Building of Universidade da Madeira (UMa), at Col\u00e9gio dos Jesu\u00edtas in Funchal, hosted, last November 21st, an unprecedented performance installation by the artist and academic Ant\u00f3nio Ba\u00eda Reis, entitled <em>A sculpture left to oblivion<\/em>. This performative installation takes as its basic inspiration the sculpture Daily Income (1997) by the artist Ant\u00f3nio Rodrigues and proposes a reflection on the concept of Public Art, more specifically, the idea of Public Art left to oblivion. During his performance, Ant\u00f3nio Ba\u00eda Reis used a combination of music, theatre and video art to give sound, voice, colour and movement to the inanimate and forgotten, exulting the value that Public Art holds, seeking to generate social and political awareness for the current situation of this work left abandoned for over 20 years.<\/p>\n<p>\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/conselhodecultura.uma.pt\/wp-content\/uploads\/2020\/11\/126059384_3432638213523705_9160600818533678721_o.jpg\" title=\"126059384_3432638213523705_9160600818533678721_o\" alt=\"126059384_3432638213523705_9160600818533678721_o\" \/><br \/>\n\t\t<iframe loading=\"lazy\" title=\"Uma escultura deixada ao esquecimento | Performance\" width=\"1505\" height=\"847\" src=\"https:\/\/www.youtube.com\/embed\/0g4zo2hPVu0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><br \/>\n\t\t\t\t\t\t\t<a href=\"https:\/\/conselhodecultura.uma.pt\/wp-content\/uploads\/2020\/11\/abreis_performance_1.jpeg\" data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"all-c278cee\" data-elementor-lightbox-title=\"abreis_performance_1\" e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6Mzg2OCwidXJsIjoiaHR0cHM6XC9cL2NvbnNlbGhvZGVjdWx0dXJhLnVtYS5wdFwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAyMFwvMTFcL2FicmVpc19wZXJmb3JtYW5jZV8xLmpwZWciLCJzbGlkZXNob3ciOiJhbGwtYzI3OGNlZSJ9\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\t<a href=\"https:\/\/conselhodecultura.uma.pt\/wp-content\/uploads\/2020\/11\/abreis_performance_1a.jpeg\" data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"all-c278cee\" data-elementor-lightbox-title=\"abreis_performance_1a\" 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href=\"https:\/\/conselhodecultura.uma.pt\/wp-content\/uploads\/2020\/11\/abreis_performance_2.jpeg\" data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"all-c278cee\" data-elementor-lightbox-title=\"abreis_performance_2\" e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6Mzg2OSwidXJsIjoiaHR0cHM6XC9cL2NvbnNlbGhvZGVjdWx0dXJhLnVtYS5wdFwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAyMFwvMTFcL2FicmVpc19wZXJmb3JtYW5jZV8yLmpwZWciLCJzbGlkZXNob3ciOiJhbGwtYzI3OGNlZSJ9\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\t<a href=\"https:\/\/conselhodecultura.uma.pt\/wp-content\/uploads\/2020\/11\/abreis_performance_3.jpeg\" data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"all-c278cee\" data-elementor-lightbox-title=\"abreis_performance_3\" 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data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"all-c278cee\" data-elementor-lightbox-title=\"abreis_performance_4\" e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6Mzg3MSwidXJsIjoiaHR0cHM6XC9cL2NvbnNlbGhvZGVjdWx0dXJhLnVtYS5wdFwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAyMFwvMTFcL2FicmVpc19wZXJmb3JtYW5jZV80LmpwZWciLCJzbGlkZXNob3ciOiJhbGwtYzI3OGNlZSJ9\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\t<a href=\"https:\/\/conselhodecultura.uma.pt\/wp-content\/uploads\/2020\/11\/abreis_performance_7a.jpeg\" data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"all-c278cee\" data-elementor-lightbox-title=\"abreis_performance_7a\" e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6Mzg4OSwidXJsIjoiaHR0cHM6XC9cL2NvbnNlbGhvZGVjdWx0dXJhLnVtYS5wdFwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAyMFwvMTFcL2FicmVpc19wZXJmb3JtYW5jZV83YS5qcGVnIiwic2xpZGVzaG93IjoiYWxsLWMyNzhjZWUifQ%3D%3D\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\t<a href=\"https:\/\/conselhodecultura.uma.pt\/wp-content\/uploads\/2020\/11\/abreis_performance_7.jpeg\" data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"all-c278cee\" data-elementor-lightbox-title=\"abreis_performance_7\" e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6Mzg2NSwidXJsIjoiaHR0cHM6XC9cL2NvbnNlbGhvZGVjdWx0dXJhLnVtYS5wdFwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAyMFwvMTFcL2FicmVpc19wZXJmb3JtYW5jZV83LmpwZWciLCJzbGlkZXNob3ciOiJhbGwtYzI3OGNlZSJ9\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\t<a href=\"https:\/\/conselhodecultura.uma.pt\/wp-content\/uploads\/2020\/11\/abreis_performance_8.jpeg\" data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"all-c278cee\" data-elementor-lightbox-title=\"abreis_performance_8\" e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6Mzg2NiwidXJsIjoiaHR0cHM6XC9cL2NvbnNlbGhvZGVjdWx0dXJhLnVtYS5wdFwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAyMFwvMTFcL2FicmVpc19wZXJmb3JtYW5jZV84LmpwZWciLCJzbGlkZXNob3ciOiJhbGwtYzI3OGNlZSJ9\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\t<a href=\"https:\/\/conselhodecultura.uma.pt\/wp-content\/uploads\/2020\/11\/abreis_performance_6.jpeg\" data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"all-c278cee\" data-elementor-lightbox-title=\"abreis_performance_6\" e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6Mzg3MywidXJsIjoiaHR0cHM6XC9cL2NvbnNlbGhvZGVjdWx0dXJhLnVtYS5wdFwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAyMFwvMTFcL2FicmVpc19wZXJmb3JtYW5jZV82LmpwZWciLCJzbGlkZXNob3ciOiJhbGwtYzI3OGNlZSJ9\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\t<a href=\"https:\/\/conselhodecultura.uma.pt\/wp-content\/uploads\/2020\/11\/abreis_performance_5.jpeg\" data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"all-c278cee\" data-elementor-lightbox-title=\"abreis_performance_5\" e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6Mzg3MiwidXJsIjoiaHR0cHM6XC9cL2NvbnNlbGhvZGVjdWx0dXJhLnVtYS5wdFwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAyMFwvMTFcL2FicmVpc19wZXJmb3JtYW5jZV81LmpwZWciLCJzbGlkZXNob3ciOiJhbGwtYzI3OGNlZSJ9\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/conselhodecultura.uma.pt\/wp-content\/uploads\/2020\/01\/81989275_3133825096647271_5328807984761929728_o.jpg\"><br \/>\n\t\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/conselhodecultura.uma.pt\/wp-content\/uploads\/elementor\/thumbs\/81989275_3133825096647271_5328807984761929728_o-plo48xvzijmfbdt5ph7xhzmt4mebtap9u1d8fmkb2g.jpg\" title=\"81989275_3133825096647271_5328807984761929728_o\" alt=\"81989275_3133825096647271_5328807984761929728_o\" \/>\t\t\t\t\t\t\t\t<\/a><\/p>\n<h2>Bridges and Pathways of Contemporary Music<br \/>\n&#8211; Symposium + Concert &#8211;<\/h2>\n<p>It took place on <strong>January 30, 2020<\/strong>, at Teatro Municipal Baltazar Dias, in a partnership between this institution, the Council of Culture | UMa and CEPAM &#8211; Conservat\u00f3rio Escola Profissional das Artes da Madeira Eng.\u00ba Luiz Peter Clode. The initiative was taken by Aniko Harangi in close collaboration with Duarte Encarna\u00e7\u00e3o.<\/p>\n<p>\u00a0<\/p>\n<p style=\"text-align: left;\">For more information regarding the event please consult the website:<\/p>\n<p style=\"text-align: left;\"><a style=\"color: #ffffff;\" href=\"https:\/\/oneline.pt\/pt\/musicacontemporanea\/#\">https:\/\/oneline.pt\/pt\/musicacontemporanea\/#<\/a><\/p>\n<p>\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"960\" height=\"466\" src=\"https:\/\/conselhodecultura.uma.pt\/wp-content\/uploads\/2020\/02\/83410104_2907609469284496_483934731407196160_o.jpg\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/i0.wp.com\/conselhodecultura.uma.pt\/wp-content\/uploads\/2020\/02\/83410104_2907609469284496_483934731407196160_o.jpg?w=960&amp;ssl=1 960w, https:\/\/i0.wp.com\/conselhodecultura.uma.pt\/wp-content\/uploads\/2020\/02\/83410104_2907609469284496_483934731407196160_o.jpg?resize=300%2C146&amp;ssl=1 300w, https:\/\/i0.wp.com\/conselhodecultura.uma.pt\/wp-content\/uploads\/2020\/02\/83410104_2907609469284496_483934731407196160_o.jpg?resize=768%2C373&amp;ssl=1 768w, https:\/\/i0.wp.com\/conselhodecultura.uma.pt\/wp-content\/uploads\/2020\/02\/83410104_2907609469284496_483934731407196160_o.jpg?resize=412%2C200&amp;ssl=1 412w\" sizes=\"(max-width: 960px) 100vw, 960px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<p style=\"text-align: center;\">&#8211; Opening Session-\u00a0<\/p>\n<p style=\"text-align: center;\">Photography: \u00a9 Paulo Esteireiro<\/p>\n<p>\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/conselhodecultura.uma.pt\/wp-content\/uploads\/2018\/11\/cartaz_jc-e1556279034354.png\" title=\"cartaz_jc\" alt=\"cartaz_jc\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<p style=\"text-align: center;\">Launching show<\/p>\n<p style=\"text-align: center;\"><strong>Homage to John Cage<\/strong><\/p>\n<p style=\"text-align: center;\">May 2018 &#8211; Sala dos Arcos | Col\u00e9gio dos Jesu\u00edtas | Funchal<\/p>\n<figure><img decoding=\"async\" src=\"https:\/\/conselhodecultura.uma.pt\/wp-content\/uploads\/2018\/11\/IMG_9417-150x150.jpg\" alt=\"IMG_9417\" \/><\/figure>\n<figure><img decoding=\"async\" src=\"https:\/\/conselhodecultura.uma.pt\/wp-content\/uploads\/2018\/11\/IMG_9391-150x150.jpg\" alt=\"IMG_9391\" \/><\/figure>\n<figure><img decoding=\"async\" src=\"https:\/\/conselhodecultura.uma.pt\/wp-content\/uploads\/2018\/11\/IMG_9372-150x150.jpg\" alt=\"IMG_9372\" \/><\/figure>\n<figure><img decoding=\"async\" src=\"https:\/\/conselhodecultura.uma.pt\/wp-content\/uploads\/2018\/11\/IMG_9366-150x150.jpg\" alt=\"IMG_9366\" \/><\/figure>\n<figure><img decoding=\"async\" src=\"https:\/\/conselhodecultura.uma.pt\/wp-content\/uploads\/2018\/11\/IMG_9318-150x150.jpg\" alt=\"IMG_9318\" \/><\/figure>\n<figure><img decoding=\"async\" src=\"https:\/\/conselhodecultura.uma.pt\/wp-content\/uploads\/2018\/11\/IMG_9311-150x150.jpg\" alt=\"IMG_9311\" \/><\/figure>\n<p>\t\t\t\t\t\t\t\t\t\t\t\tPrevious<br \/>\n\t\t\t\t\t\t\t\t\t\t\t\tNext<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Experimental Intermediate Arts The &#8220;Experimental Laboratory of Intermediate Art&#8221; arises from the need to think and design a space for experimentation and advanced study, for an awareness of contemporary artistic creation, from the binomial sound art and visual arts. This Lab had its first experience in May 2018, in the &hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":[],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["pt","en"],"languages":{"pt":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/conselhodecultura.uma.pt\/en\/wp-json\/wp\/v2\/pages\/2649"}],"collection":[{"href":"https:\/\/conselhodecultura.uma.pt\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/conselhodecultura.uma.pt\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/conselhodecultura.uma.pt\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/conselhodecultura.uma.pt\/en\/wp-json\/wp\/v2\/comments?post=2649"}],"version-history":[{"count":150,"href":"https:\/\/conselhodecultura.uma.pt\/en\/wp-json\/wp\/v2\/pages\/2649\/revisions"}],"predecessor-version":[{"id":5095,"href":"https:\/\/conselhodecultura.uma.pt\/en\/wp-json\/wp\/v2\/pages\/2649\/revisions\/5095"}],"wp:attachment":[{"href":"https:\/\/conselhodecultura.uma.pt\/en\/wp-json\/wp\/v2\/media?parent=2649"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}