{"id":3400,"date":"2019-12-12T15:03:27","date_gmt":"2019-12-12T15:03:27","guid":{"rendered":"http:\/\/tigre.uma.pt\/conselhocultura\/www\/?page_id=3400"},"modified":"2021-07-13T14:22:18","modified_gmt":"2021-07-13T13:22:18","slug":"orquestra-jazz-funchal","status":"publish","type":"page","link":"https:\/\/conselhodecultura.uma.pt\/en\/orquestra-jazz-funchal\/","title":{"rendered":"Funchal Jazz Orchestra"},"content":{"rendered":"<h2>Funchal Jazz Orchestra<\/h2>\n<p style=\"text-align: justify;\">\u201cNowadays, orchestras play virtually every style of jazz music, from classical to avant-garde. Countless bands continue to enthral us with the particular sound of the Big Bands and in Portugal, the growing number of groups with these characteristics shows &#8211; despite all the difficulties &#8211; the vitality of our musicians.&#8221; (Lu\u00eds Hil\u00e1rio, Hot Clube Portugal). The expression BIG BAND was born from the adaptation of the English language to the ensemble\/large instrumental group associated with Jazz music and became popular in the late 1920s, with great evidence from the 1930s onwards. The BIG BANDS deeply marked the golden period of <em>swing<\/em> in the USA, with names like Fletcher Henderson, Count Basie, Benny Goodman, Duke Ellington, Maynard Ferguson, Dizzy Gillespie or Glenn Miller stand out. This concept has spread to Europe, where the existence of Jazz Orchestras with the same purpose is evident, with orchestras such as the European Jazz Orchestra, WDR Big Band, Fire Orchestra, Matosinhos Jazz Orchestra, LUME, among others. The compositions played by BIG BANDS are subject to elaborate arrangements, previously prepared, written in scores and with a more careful and laborious musical preparation, requiring dedication and commitment from their performers.<\/p>\n<h2>Musicians<\/h2>\n<p style=\"text-align: justify;\">Saxophones: \u2022 Alto Saxophone: Miguel Dantas \u2022 Alto Saxophone: Juan Fontser\u00e8 \u2022 Tenor Saxophone: Francisco Aguilar \u2022 Tenor Saxophone: Sim\u00e3o Ferreira \u2022 Baritone Saxophone: Francisco Andrade \u2013 Direction Trumpets: \u2022 Trumpet1: Alexandre Andrade \u2013 Direction \u2022 Trumpet2: Pedro Ferreira \u2022 Trumpet3 : Henrique \u2022 Trumpet4: Andr\u00e9 Almada Trombones: \u2022 Trombone1: Ricardo Sousa \u2022 Trombone2: \u00c9lio Jardim \u2022 Trombone3: Oscar Carmo \u2022 Trombone: Lucas Domingos \u2022 Bass Trombone: Pedro Pinto Rhythmic section: \u2022 Piano: Vasco Gil\/Nuno Oliveira \u2022 Double bass: Juliana Mendon\u00e7a\/ Jo\u00e3o Sousa \u2022 Guitar: Vitor Anjo \u2022 Drums: Francisco Coelho\/ Luis Caldeira<\/p>\n<h2>Artistic Direction: Francisco Andrade &amp; Alexandre Andrade<\/h2>\n<h2>Happened in 2020&#8230;<\/h2>\n<p><img decoding=\"async\" src=\"https:\/\/conselhodecultura.uma.pt\/wp-content\/uploads\/elementor\/thumbs\/LEAI_Cartaz_JAZZ_AI-okq4zumqj8n8isbj97dfjavhslq95s9mgsnovc3zvw.png\" title=\"LEAI_Cartaz_JAZZ_AI\" alt=\"LEAI_Cartaz_JAZZ_AI\"><br \/>\n<img decoding=\"async\" src=\"https:\/\/conselhodecultura.uma.pt\/wp-content\/uploads\/elementor\/thumbs\/84698137_2686818188105715_2894826644906704896_o-ol0aovc4xf6eg1zhqxr9r630e854jjv3uft5v286no.jpg\" title=\"84698137_2686818188105715_2894826644906704896_o\" alt=\"84698137_2686818188105715_2894826644906704896_o\"><br \/>\n<img decoding=\"async\" src=\"https:\/\/conselhodecultura.uma.pt\/wp-content\/uploads\/elementor\/thumbs\/84174647_2686818198105714_2546208075090493440_o-ol0aoueaql544g0uwfcn6objsu9rburdib5ods9ktm.jpg\" title=\"84174647_2686818198105714_2546208075090493440_o\" alt=\"84174647_2686818198105714_2546208075090493440_o\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Funchal Jazz Orchestra \u201cNowadays, orchestras play virtually every style of jazz music, from classical to avant-garde. Countless bands continue to enthral us with the particular sound of the Big Bands and in Portugal, the growing number of groups with these characteristics shows &#8211; despite all the difficulties &#8211; the vitality &hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":[],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["pt","en"],"languages":{"pt":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/conselhodecultura.uma.pt\/en\/wp-json\/wp\/v2\/pages\/3400"}],"collection":[{"href":"https:\/\/conselhodecultura.uma.pt\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/conselhodecultura.uma.pt\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/conselhodecultura.uma.pt\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/conselhodecultura.uma.pt\/en\/wp-json\/wp\/v2\/comments?post=3400"}],"version-history":[{"count":44,"href":"https:\/\/conselhodecultura.uma.pt\/en\/wp-json\/wp\/v2\/pages\/3400\/revisions"}],"predecessor-version":[{"id":4638,"href":"https:\/\/conselhodecultura.uma.pt\/en\/wp-json\/wp\/v2\/pages\/3400\/revisions\/4638"}],"wp:attachment":[{"href":"https:\/\/conselhodecultura.uma.pt\/en\/wp-json\/wp\/v2\/media?parent=3400"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}