{"id":7202,"date":"2023-08-02T14:31:19","date_gmt":"2023-08-02T13:31:19","guid":{"rendered":"https:\/\/conselhodecultura.uma.pt\/?page_id=7202"},"modified":"2026-01-13T15:17:09","modified_gmt":"2026-01-13T15:17:09","slug":"er-videos","status":"publish","type":"page","link":"https:\/\/conselhodecultura.uma.pt\/en\/er-videos\/","title":{"rendered":"Er-videos"},"content":{"rendered":"<h2>Rs | VIDEOS<\/h2>\n<p>\t\t<iframe loading=\"lazy\" title=\"\u00c9 tudo o que apetece | Experimental film\" width=\"1505\" height=\"847\" src=\"https:\/\/www.youtube.com\/embed\/qss7v7yEPxw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/conselhodecultura.uma.pt\/wp-content\/uploads\/elementor\/thumbs\/VIDEOS-q9avdv8nzbdnpm9fntolkm0rs8nw51kvjddnr2vtgo.jpg\" title=\"VIDEOS\" alt=\"VIDEOS\" loading=\"lazy\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<p><a style=\"color: #d5bf81;\" href=\"https:\/\/conselhodecultura.uma.pt\/wp-content\/uploads\/2025\/11\/espacorandom_videoexperimental_antoniobaiareis.pdf\">BA\u00cdA REIS, A. ET AL. (2025).<\/a>\u00a0<em>\u00c9 tudo o que apetece<\/em>: entre cinema experimental e territ\u00f3rio<a href=\"https:\/\/conselhodecultura.uma.pt\/wp-content\/uploads\/2025\/11\/anika_vandewijngaard_erandom_2025.pdf\"><em>.\u00a0<\/em>Er\/CC\/UMa<\/a><\/p>\n<p>\t\thttps:\/\/vimeo.com\/1102012676<br \/>\n\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/conselhodecultura.uma.pt\/wp-content\/uploads\/elementor\/thumbs\/VIDEOS-q9avdv8nzbdnpm9fntolkm0rs8nw51kvjddnr2vtgo.jpg\" title=\"VIDEOS\" alt=\"VIDEOS\" loading=\"lazy\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<p><a style=\"color: #d5bf81;\" href=\"https:\/\/conselhodecultura.uma.pt\/wp-content\/uploads\/2025\/11\/anika_vandewijngaard_erandom_2025.pdf\">VAN DE WIJNGAARD A. (2025).\u00a0<em>\u00a0II.\u00a0<\/em>Er\/CC\/UMa<\/a><\/p>\n<p>\t\t<iframe loading=\"lazy\" title=\"Floors of (H)openess\" width=\"1505\" height=\"847\" src=\"https:\/\/www.youtube.com\/embed\/r3Q8iYtwsv4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/conselhodecultura.uma.pt\/wp-content\/uploads\/elementor\/thumbs\/VIDEOS-q9avdv8nzbdnpm9fntolkm0rs8nw51kvjddnr2vtgo.jpg\" title=\"VIDEOS\" alt=\"VIDEOS\" loading=\"lazy\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<p><a style=\"color: #d5bf81;\" href=\"https:\/\/conselhodecultura.uma.pt\/wp-content\/uploads\/2026\/01\/ana_madeira_erandom_en.pdf\">MADEIRA, A. (2025). <em>F<\/em><i>loors of (H)openess: Pertencer no Presente<\/i>.\u00a0Rs\/CC\/UMa<\/a><\/p>\n<p>\t\t<iframe loading=\"lazy\" title=\"Encoded Movements | AI and dance performance\" width=\"1505\" height=\"847\" src=\"https:\/\/www.youtube.com\/embed\/cmpphpirA1Q?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/conselhodecultura.uma.pt\/wp-content\/uploads\/elementor\/thumbs\/VIDEOS-q9avdv8nzbdnpm9fntolkm0rs8nw51kvjddnr2vtgo.jpg\" title=\"VIDEOS\" alt=\"VIDEOS\" loading=\"lazy\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<p><a style=\"color: #d5bf81;\" href=\"https:\/\/conselhodecultura.uma.pt\/wp-content\/uploads\/2024\/03\/antonio_b_reis_er_uma_2024_en_final_version.pdf\">BA\u00cdA REIS, A. (2024).\u00a0<em>Encoded Movements: A Performance at the Frontier Between Artificial Intelligence and Contemporary Dance. <\/em>Rs\/CC\/UMa<\/a><\/p>\n<p>\t\t<div style=\"width: 640px;\" class=\"wp-video\"><!--[if lt IE 9]><script>document.createElement('video');<\/script><![endif]-->\n<video class=\"wp-video-shortcode\" id=\"video-7202-1\" width=\"640\" height=\"360\" preload=\"metadata\" controls=\"controls\"><source type=\"video\/mp4\" src=\"https:\/\/conselhodecultura.uma.pt\/wp-content\/uploads\/2023\/08\/manca_rui_effe_2023.mp4?_=1\" \/><a href=\"https:\/\/conselhodecultura.uma.pt\/wp-content\/uploads\/2023\/08\/manca_rui_effe_2023.mp4\">https:\/\/conselhodecultura.uma.pt\/wp-content\/uploads\/2023\/08\/manca_rui_effe_2023.mp4<\/a><\/video><\/div><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/conselhodecultura.uma.pt\/wp-content\/uploads\/elementor\/thumbs\/VIDEOS-q9avdv8nzbdnpm9fntolkm0rs8nw51kvjddnr2vtgo.jpg\" title=\"VIDEOS\" alt=\"VIDEOS\" loading=\"lazy\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<p><a style=\"color: #d5bf81;\" href=\"https:\/\/conselhodecultura.uma.pt\/wp-content\/uploads\/2023\/09\/rui_effe_er_uma_2023.pdf\">EFFE, R. (2023). <em>Desenho que dan\u00e7a<\/em>.<\/a><a style=\"color: #d5bf81;\" href=\"https:\/\/conselhodecultura.uma.pt\/wp-content\/uploads\/2023\/09\/rui_effe_er_uma_2023.pdf\"> Rs\/CC\/UMa<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Rs | VIDEOS BA\u00cdA REIS, A. ET AL. (2025).\u00a0\u00c9 tudo o que apetece: entre cinema experimental e territ\u00f3rio.\u00a0Er\/CC\/UMa https:\/\/vimeo.com\/1102012676 VAN DE WIJNGAARD A. (2025).\u00a0\u00a0II.\u00a0Er\/CC\/UMa MADEIRA, A. (2025). Floors of (H)openess: Pertencer no Presente.\u00a0Rs\/CC\/UMa BA\u00cdA REIS, A. (2024).\u00a0Encoded Movements: A Performance at the Frontier Between Artificial Intelligence and Contemporary Dance. Rs\/CC\/UMa &hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":[],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["pt","en"],"languages":{"pt":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/conselhodecultura.uma.pt\/en\/wp-json\/wp\/v2\/pages\/7202"}],"collection":[{"href":"https:\/\/conselhodecultura.uma.pt\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/conselhodecultura.uma.pt\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/conselhodecultura.uma.pt\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/conselhodecultura.uma.pt\/en\/wp-json\/wp\/v2\/comments?post=7202"}],"version-history":[{"count":146,"href":"https:\/\/conselhodecultura.uma.pt\/en\/wp-json\/wp\/v2\/pages\/7202\/revisions"}],"predecessor-version":[{"id":9502,"href":"https:\/\/conselhodecultura.uma.pt\/en\/wp-json\/wp\/v2\/pages\/7202\/revisions\/9502"}],"wp:attachment":[{"href":"https:\/\/conselhodecultura.uma.pt\/en\/wp-json\/wp\/v2\/media?parent=7202"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}